Arresting the Flux of Images and Sounds
In: Ian Buchanan and Adrian Parr (eds.). Deleuze and the Contemporary World. Edinburgh: Edinburgh University Press, 2006, pp. 175-193.
This page contains a selection of chapters and articles that can be accessed online.
Micropolitics of the Migrant Family in Accented Cinema
In: Patricia Pisters and Wim Staat (eds.). Shooting the Family: Transnational Media and Intercultural Values. Amsterdam: Amsterdam University Press, 2005, pp. 197-212.
Migrantenfilm als performance van identiteit
In: Rosemarie Buikema en Maaike Meijer (red.). Kunsten in Beweging: Cultuur en Migratie in Nederland. Den Haag: Sdu Uitgevers, 2004, pp.189-202
Touched by Cardboard Sword
Joost de Bllois, Sjef Houppermans, Frans-Willem Korsten (eds.). Discernments: Deleuzian Aesthetics. Amsterdam & New York: Rodopi (2004) pp. 151-169
On Becoming-Woman and Cyborg Alices
Conceptual Personae and Aesthetic Figures of Becoming-Woman from The Matrix of Visual Culture (Stanford University Press, 2003).
Becoming-Animal and Logic of Sensations
This is a chapter from The Matrix of Visual Culture (Stanford University Press, 2003) which may resonate with current interest in new materialism, film, philosophy and the non-human. Download PDF.
Suriname in Beeld: Wan Pipel, Bakra's en Boeroes
In: Beeldritsen: Visuele culttur en etnische diversiteit in Nederland. Tessa Boerman, Patricia Pisters en Joes Segal (red). Amsterdam, De Balie, 2002, pp. 29-39. Download PDF
Micropolitics: Introduction
In: Patricia Pisters (ed), Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press - Film Culture in Transition, 2002
download PDF (4.9 MB)
Glamour and Glycerine
In: Patricia Pisters (ed), Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press - Film Culture in Transition, 2002
download PDF (3.1 MB)
La Diffluence des Contours: Une Etude Intermediale de la Relation Espace-Corps chez Marguerite Duras
Here a PFD of the thesis written in 1993 for my D.E.A. (Diploma of Advanced Studies) at the University of Paris 7.