This page contains a selection of chapters and articles that can be accessed online.

Homi K. Bhabha

In: Felicity Colman, ed. Film, Theory and Philosophy. The Key Thinkers. Durham: Acumen, 2009, pp. 296-307.

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Delirium Cinema or Machines of the Invisible

In: Deleuze and the Schizoanalysis of Cinema. Ian Buchanan and Patricia MacCormack, eds. London: Continuum, 2008, pp. 102-115.

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Refusal of Reproduction: Paradoxes of Becoming-Woman in Transnational Moroccan Filmmaking

In: Katarzyna Marciniak, Aniko Imre, and Aine O'Healy (eds.). Transnational Feminism in Film and Media. New York: Palgrave Macmillan (2007) pp. 71-92

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The Spiritual Dimension of the Brain as Screen Zigzagging from Cosmos to Earth (and Back)

In: Robert Pepperel and Michael Punt (eds.). Screen Consciousness: Cinema, Mind and the World. Amsterdam and New York: Rodopi, 2006, pp. 123-137.

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Arresting the Flux of Images and Sounds

In: Ian Buchanan and Adrian Parr (eds.). Deleuze and the Contemporary World. Edinburgh: Edinburgh University Press, 2006, pp. 175-193.

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Micropolitics of the Migrant Family in Accented Cinema

In: Patricia Pisters and Wim Staat (eds.). Shooting the Family: Transnational Media and Intercultural Values. Amsterdam: Amsterdam University Press, 2005, pp. 197-212.

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Touched by Cardboard Sword

Joost de Bllois, Sjef Houppermans, Frans-Willem Korsten (eds.). Discernments: Deleuzian Aesthetics. Amsterdam & New York: Rodopi (2004) pp. 151-169

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On Becoming-Woman and Cyborg Alices

Conceptual Personae and Aesthetic Figures of Becoming-Woman from The Matrix of Visual Culture (Stanford University Press, 2003).

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Becoming-Animal and Logic of Sensations

 This is a chapter from The Matrix of Visual Culture (Stanford University Press, 2003) which may resonate with current interest in new materialism, film, philosophy and the non-human. Download PDF.

Micropolitics: Introduction

In: Patricia Pisters (ed), Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press - Film Culture in Transition, 2002

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