Filming the times of Tangier: nostalgia, postcolonial agency, and preposterous history
In: D. Iordanova, D. Martin-Jones, B. Vidal (eds.). Cinema at the periphery. Detroit: Wayne State University Press, 2010, pp. 175-189
This page contains a selection of chapters and articles that can be accessed online.
Homi K. Bhabha
In: Felicity Colman, ed. Film, Theory and Philosophy. The Key Thinkers. Durham: Acumen, 2009, pp. 296-307.
Delirium Cinema or Machines of the Invisible
In: Deleuze and the Schizoanalysis of Cinema. Ian Buchanan and Patricia MacCormack, eds. London: Continuum, 2008, pp. 102-115.
Refusal of Reproduction: Paradoxes of Becoming-Woman in Transnational Moroccan Filmmaking
In: Katarzyna Marciniak, Aniko Imre, and Aine O'Healy (eds.). Transnational Feminism in Film and Media. New York: Palgrave Macmillan (2007) pp. 71-92
The Spiritual Dimension of the Brain as Screen Zigzagging from Cosmos to Earth (and Back)
In: Robert Pepperel and Michael Punt (eds.). Screen Consciousness: Cinema, Mind and the World. Amsterdam and New York: Rodopi, 2006, pp. 123-137.
Arresting the Flux of Images and Sounds
In: Ian Buchanan and Adrian Parr (eds.). Deleuze and the Contemporary World. Edinburgh: Edinburgh University Press, 2006, pp. 175-193.
Micropolitics of the Migrant Family in Accented Cinema
In: Patricia Pisters and Wim Staat (eds.). Shooting the Family: Transnational Media and Intercultural Values. Amsterdam: Amsterdam University Press, 2005, pp. 197-212.
Touched by Cardboard Sword
Joost de Bllois, Sjef Houppermans, Frans-Willem Korsten (eds.). Discernments: Deleuzian Aesthetics. Amsterdam & New York: Rodopi (2004) pp. 151-169
On Becoming-Woman and Cyborg Alices
Conceptual Personae and Aesthetic Figures of Becoming-Woman from The Matrix of Visual Culture (Stanford University Press, 2003).
Becoming-Animal and Logic of Sensations
This is a chapter from The Matrix of Visual Culture (Stanford University Press, 2003) which may resonate with current interest in new materialism, film, philosophy and the non-human. Download PDF.