Violence and laughter: paradoxes of nomadic thought in postcolonial cinema
In: S. Bignall, P. Patton (eds.). Deleuze and the postcolonial. Edinburgh: Edinburgh University Press, 2010, pp. 201-219
This page contains a selection of chapters and articles that can be accessed online.
Numbers and fractals: neuroaesthetics and the scientific subject
In: P. Gaffney (ed.). The force of the virtual: Deleuze, science, and philosophy. Minneapolis: University of Minnesota Press, 2010, pp. 229-251
Logistics of perception 2.0: multiple screen aesthetics in Iraq War films
In: Film-Philosophy, Vol. 14 (2010): pp. 232-252
Filming the times of Tangier: nostalgia, postcolonial agency, and preposterous history
In: D. Iordanova, D. Martin-Jones, B. Vidal (eds.). Cinema at the periphery. Detroit: Wayne State University Press, 2010, pp. 175-189
Homi K. Bhabha
In: Felicity Colman, ed. Film, Theory and Philosophy. The Key Thinkers. Durham: Acumen, 2009, pp. 296-307.
Delirium Cinema or Machines of the Invisible
In: Deleuze and the Schizoanalysis of Cinema. Ian Buchanan and Patricia MacCormack, eds. London: Continuum, 2008, pp. 102-115.
Refusal of Reproduction: Paradoxes of Becoming-Woman in Transnational Moroccan Filmmaking
In: Katarzyna Marciniak, Aniko Imre, and Aine O'Healy (eds.). Transnational Feminism in Film and Media. New York: Palgrave Macmillan (2007) pp. 71-92
The Spiritual Dimension of the Brain as Screen Zigzagging from Cosmos to Earth (and Back)
In: Robert Pepperel and Michael Punt (eds.). Screen Consciousness: Cinema, Mind and the World. Amsterdam and New York: Rodopi, 2006, pp. 123-137.
Arresting the Flux of Images and Sounds
In: Ian Buchanan and Adrian Parr (eds.). Deleuze and the Contemporary World. Edinburgh: Edinburgh University Press, 2006, pp. 175-193.
Micropolitics of the Migrant Family in Accented Cinema
In: Patricia Pisters and Wim Staat (eds.). Shooting the Family: Transnational Media and Intercultural Values. Amsterdam: Amsterdam University Press, 2005, pp. 197-212.