This page contains a selection of chapters and articles that can be accessed online.

Carrie's Sisters: New Blood in Contemporary Female Horror Cinema

In: Re-Reading the Monstrous Feminine: Art, Film, Feminism and Psychoanalysis. Nicholas Chare, Jeanette Hoorn and Audrey Yue, eds. New York: Routledge 2020, 112-137. See here for a PDF of the article (these are the proofs). See for full information about the book here.

"Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine"

In Edward Dimendberg, ed. The Moving Eye: Film, Television, Architecture, Visual Art, and the Modern. New York: Oxford University Press, 2019. See for information about the book here. The PDF of this article can be found here.

"Deep Blue Geomediations: Following Lapis Lazuli in Three Ecological Assemblages"

In: Rock Records, eds. Paul Harris. Richard Turner and Adam Nocek. Substances, vol. 47:2, 2018 (Issue 146): 36-58. Published by Johns Hopkins University.

Download PDF. See also link to full issue and digital supplements here.

Two Poshuman Entrees: BwO and Neuronal Aesthetics

In: Posthuman Glossary, ed. by Rosi Braidotti and Maria Hlavajova (Bloomsbury Academic, 2018), pp. 74-76 & 285-287. Download PDF.

Orchestration of the Senses in Yellow: Eisenstein's Fourth Dimension, Memory and Mirror-Touch Synaesthesia

In: Mirror-Touch Synaesthesia: Thresholds of Empathy with Art. Oxford University Press, 2017, 71-90. Read in PDF.

Wandering Off. In Conversation with Kerstin Ergenzinger and Patricia Pisters

In: Navigating Noise, ed. by Nathanja van Dijk, Kerstin Ergenzinger, Christian Kessung, Sebastian Schwesinger. Berlin: Walter Konig, 2017, 110-121.

Read here PDF.

Audio-Writing: Cinema for the Ears

Audio: Cinema for the Ears from Patricia Pisters on Vimeo.

This is an audio version of my PhD From Eye to Brain: Gilles Deleuze, Refiguring the Subject in Film Theory (University of Amsterdam, 1998). The audio recording for the entire manuscript was performed by the Royal Institute for the Blind (Peterborough, 1998). This is Section 12 A from the last chapter of the dissertation Chapter 9: The Sound-Machine, Becoming-Music and the Politics of Becoming-Imperceptible.

Metallurgic Fashion: Rabane, McQueen, Van Herpen

“Metallurgic Fashion: Sartorial Transformations in Changing Techno-Mediated Worlds” in  Adriano D’Aloia, Marie-Aude Baroniam & Marco Pedroni (eds.),Fashionating Image: Audiovisual Media Studies Meet Fashion. Special Issue Comunicazioni sociali,  n. 1 :  2017 Vita e Pensiero / Pubblicazioni dell’Università Cattolica del Sacro Cuore Milano,  43-52. Find here the article in PDF.

"I Just Want to Be Perfect: Affective Compulsive Movement in Black Swan"

In: Cine-files, Issue 10, 2016. Dossier on Cinematic Affect, ed. by Anne Rutherford. My contribution deals with OCD in the form of dancing & GIFs. Here you can read the version including GIFs. A version without repetitive movements can he downloaded as PDF here.