World Cinema Amsterdam

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 Necktie Youth trailer from Halal on Vimeo.

The Winner of the World Cinema Amsterdam festival is the remarkable South African film Necktie Youth from Sibs Shongwe-La Mer. And a Special Mention for Deniz Gmaze Erguven's MustangSee for more information and the programme the site of World Cinema Amsterdam festival. Below the jury report of this years edition of the festival. 

Jury Report

by Patricia Pisters, Carlos M. Quintela & Felix de Rooy

The sixth World Cinema Amsterdam festival has presented a global avalanche of images and sounds that conjure up emotion and insight about the state of humanity through the eyes of talented filmmakers from all over the world. In that sense the value of this festival and of all the films presented in the program cannot be underestimated. The nine films in competition were all very strong, transporting us to different countries and regions; they moved us for many different reasons. We were struck by the political and emancipatory urgency and the empowering forms of resistance in many of the films. Migration between countries and within cultures between urban environments and countryside, as well as all kinds of social injustice are important recurring themes; many films show a younger generation that kicks against the status quo established by previous generations; with varying degrees of success. The jury was also impressed by the quality and variety of the cinematography of all the films in competition. Whether shot in bright colors, strong black and white, poetic light, static framing or fluid camera movements, all films were of remarkable quality and widened our scope of cultural differences and transnational and universal values.

Special Mention

Before announcing the winner, the jury would like to take the opportunity to highlight one of the other films in the competition program, which is a film about the untamable longing for freedom. 

New Series: Thinking I Media

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The first volume of our Bloomsbury book series Thinking I Media is out! Check out Media I Matter here.  

And for more information the flyer below; or do contact us if you'd like to publish in our series. 


Necsus #7 Animal

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The new Issue of NECSUS: European Journal of Media Studies is out. With among others a wonderful special section on the 'animal,' curated by guest editors Barbara Creed and Maarten Reesink. The image above is part of Dominic Pettman's contribution to the special section (on Nietzsche, horses, love  and other animals). Also new audio-visual essays curated by Adrian Martin and Cristina Alvarez-Lopez. 

Deleuze and Guattari in India

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The Third Deleuze Studies in Asia Camp and Conference were organized by the Manipal Centre for Philosophy and Humanities between 28 May - 7 June 2015 in Manipal, India. A remarkable event full of inspiring panles and lectures and which that included a film screening and a dance event by Attakkalari. See the programme at the camp and conference website. Photos at the facebook page can be seen here. And for more information on the dance group

Where Do We Go Now? Arab Women Behind the Camera

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Where Do We Go Now? Arab Women Behind the Camera. A very interesting film programme about women directors in the Arab World. From 5 - 21 June 2015 in EYE. Here's an overview of the films. Read also Sacha Gertsik's article in De Filmkrant (in Dutch). 

Laura Mulvey and Feminisms

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20 mei 2015 19.00 - 21.00   EYE Filminstitute Netherlands, Amsterdam

What has changed in the field of film and film studies since the 1970s, when Laura Mulvey published her seminal essay Visual Pleasure and Narrative Cinema in Screen?

EYE Film Institute Netherlands and the University of Groningen will host a Symposium on Film & Feminist Film Theories, including a workshop and a special program accompanying the book launch of the publication Feminisms (Amsterdam University Press).

From 7-9 pm, the symposium will witness the launch of a completely new volume of the international book series, The Key Debates: Feminisms, edited by Laura Mulvey and Anna Backman Rogers. The presentation will be delivered by Jeroen Sondervan on behalf of Amsterdam University Press, followed by a roundtable discussion involving the editors of the volume on Feminisms, film and media studies scholars, and members of the Research School for Media Studies (RMeS), moderation by Patricia Pisters.

The roundtable discussion will focus on cutting-edge and contemporary theorising in the field of feminist film theory. The discussion will centre on questions such as: What has changed in the field of film and film studies since the 1970s, when Laura Mulvey published her seminal essay “Visual Pleasure & Narrative Cinema” in Screen in 1975? Why and how to study gender-related questions in the field of film and TV? What was and is the impact of feminist films and projects on individuals and culture?

As part of the event, fragments will be screened of Laura Mulvey’s spectacular avant-garde movies, made in part with Peter Wollen.