New Book: Filming for the Future

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Forthcoming:  new book on the amazing work of Grand Old Master of Dutch cinema Louis van Gaster will be presented in Paradiso, Amsterdam on 22nd November 2015. The book is illustrated and includes 3 DVDs containing 7 films (with English subtitels). Published by Amsterdam University Press.

"Finally. An engaged and thoughtful full-on narrative illuminating the work of Holland's preeminent film director, Louis van Gasteren. Patricia Pisters's, Filming For The Future is an unflinching and deft rendering of the six decades of van Gasteren's films; the writer giving blood, flesh and story to a complicated and controversial artist's obsessions and aesthetics. Like her subject's work, Pisters eschews cliche and slippery ideas to cement a well-wrought and hard earned research that throws bright light onto the times and temperament of van Gasteren's work. Filming For The Future, is an essential compliment to understanding van Gasteren's life, films and obsessions" - Michael Martin, author of Extended Remark: Poems from a Moravian Parking Lot 

"Unique attempt to interpret the multifaceted en multilayered oeuvre of the Grand Old Man of Dutch documentary in all encompassing treatise. A great achievement!" - Beerekamp is a former film critic and currently television critic for Dutch newspaper NRC Handelsblad

 

Louis van Gasteren  (b. 1922) is one of the Netherlands’s most prolific filmmakers. He has made about eighty documentaries as well as two feature films, art works, and several publications. His film NOW DO YOU GET IT WHY I AM CRYING? (1969) played an important role in the recognition of the enduring psychological effects of war trauma. HANS LIFE BEFORE DEATH (1983) presents a deeply empathic portrait of the post war generation of youth rebels in Amsterdam in the 1960s that addresses major existential questions. In his autobiographical film, NEMA AVIONA ZA ZAGREB(2012), Van Gasteren declares his passion for filming and his desire to register everything from both the outer world as well as from inner life. This book presents a journey through the rich audio-visual and artistic sources of the world of a filmmaker who, over the last sixty years, and long before we all became accustomed to carrying mobile cameras in our pockets, always had his camera on standby. Van Gasteren has been relentless in filming a range of topics, phenomena, and events of national and international scope and universal value. His camera eye was visionary, documenting not only the tumultuous happenings of the different presents that he witnessed, but also the return of the past and anticipation of the future. His work demonstrates a fascination for technology, a deep interest in politics, and a continuous concern for the traumatic effects of war and the passage of time itself; always looking for new doors of perception, always returning to his home in Amsterdam, always departing again to new or recurring points of interest. Filming for the Future explores the most salient features of a wide-ranging and vital oeuvre that becomes ever more amazing and important as time goes by. Van Gasteren’s work is an invaluable source of historical documentation and percipient cultural analysis made by an adventurous ‘participating observer’ of the twentieth century that is worthwhile (re)discovering in and for the twenty-first century.