This video has also been publised and peer reviewed in [in]Transition: Journal of Videographic Film & Moving Image Studies, 2,1, 2015. See for this publication here.
In The Neuro-Image: A Deleuzian Film-Philosophy of Contemporary Screen Culture (2012), I suggest that cinema gives us increasingly intensely direct access to character’s brain worlds. Our audio-visual images co-evolve in resonance with the knowledge we have of principles of the brain and with a philosophical understanding of the complex entanglements between bodies, brains and world.
The short video-experiment Emoticons departs from a common principle studied in affective neuroscience that facial expressions relate to basic affects that are at the core of more complex emotions and feelings. I took these basic emotions as simple guidelines for evoking a memory or an association with each mood. They all include a reference to film and other audio-visual media. Consciousness has become cinematographic consciousness.
This project was originally conceived as a mini-installation consisting of two video-channels. One video shot and projected in a 360⁰ pan, expressing events inside a brain space. The other video of a talking head projected on a dummy, pronouncing thoughts associated with each basic emotion.
With great thanks to filmmakers Igor Kramer and Pepijn Schroeijers to suggest transforming some theory into practice and to help create a ‘neuro-image’ of my brain.
Below a photo impression of the double channel video installation-version of Emoticons. Pepijn Schroeijers, Igor Kramer, Patricia Pisters at SIN (Straattheater Instituut Nederlands, NDSM wharf Amsterdam, May 2014).