I made this compilation for an evening on Helmut Newton's relation to surrealims and feminine desire organized by FOAM, photography museum Amsterdam in June 2016. The evening also included talks by Catriona McAra (writer of Sadeian Woman: Erotic Violence in Surrealist Spectacle), Marijke Peyser (guest curator Boijmans van Beuningen) and Matthias Harder (curator Helmut Newton Foundation).
Mercury is heavy, dark and full of secrets, hiding many faces. Where tin is a very friendly and light metal, that seems to sympathize with humanity, absorbing its sorrows and pains, wanting to become human from the outside, mercury’s spirit penetrates more deeply into the body and soul of everything it touches, operating as the great transformer. It is for this reason that mercury plays such an important role in alchemy, a dimension that I have tried to honor in this compilation. Mercury can designate (Egyptian) Toth, (Greek) Hermes or (Roman) Mercury, the messenger of the ancient mythological Gods; it is also the name of the planet closest to the sun (and hence considered as messenger of the sun); and it is the name of the silvery liquid metal mercury (Hg), also known as quicksilver. Mercury is obtained from an orange rock cinnabar, which turns into an orange-red powder when grounded and which releases liquid mercury when heated. What is very special is that when mercury is synthesized again with sulpher, an artificial red powder, called vermillion, re-appears. Natural cinnabar and artificial vermillion have been known since ancient times for their use as pigment, mercury has been and still is used as a “magnet for gold” in gold mining. However, mercury is very poisonous; it attacks the nervous system (and many other bodily functions) directly, and makes you go insane.
An Indefinite Corpse Experiment in Digital Alchemy
Emerald Transmutations is an experiment in digital alchemy inspired by the surrealist parlour game Exquisite Corpse and by the Emerald Tablets, the foundational hermetic text in Western alchemy. Starting with the “prima materia” of two scenes from celluloid film history, each transmuted scene was passed along between seven “digital alchemists” who each performed a process of transmutation on the material in an attempt to turn base metal into gold and to find “the philosopher’s stone." Each participant was only given the previous stage of the transmutation, together with a description of the next stage in the alchemical process, and asked to transform (and add to) the material according to their own insights. The final video presents the transformations in the order in which they have been applied, gradually processing the outer limits of indefinite vision (and eternal revision).
Tin is a friend, says Primo Levi in his Periodical Table. Because it melts at low temperature, almost like organic materials, that is ‘almost like us’. Moreover tin can scream (the weeping or crying of tin) and it can succumb to ‘tin pest’ (when it transforms into brittle grey matter). Perhaps it is also because of this ‘closeness to us’ that we find tin in Hans Christian Andersons “The Brave Tin Soldier” and in Frank Baums “tin man” in The Wizard of Oz; the tin soldier is hopelessly in love with a paper ballerina, and the tin man longs for a heart, so that he can really be human. In this compilation I follow tin, starting with its cry and transformation into grey tin, and also the tin soldiers, toys and robots play an important role. Tin is often found in alloys, with copper to form bronze, or pewter. Or with lead, in soldering, which is a main application of tin.
Here's a link to the panel on Compulsive Patterns during the Worlding the Brain conference. The panel consisted of contributions by Damiaan Denys, Patricia Pisters, Max van der Linden and Andrew Gaedtke. The first two presentations have been recorded. See also the other recorded panels and for more information the Worlding the Brain 2016 website.
I never expected iron to be such a moving metal. Primo Levi’s “iron” story in his beautiful book The Periodic Table (first published in 1975 and in 2016 transformed into a gripping radio play by BBC radio 4) first made me reconsider iron. Therefore I start Follow the Iron with a homage to Levi who recalls his how his fellow chemistry student and friend Sandro who discovers “iron” as one of the substances of a powder they have been given to analyze: Habemus ferrum. (A later image from a chemistry lab in a documentary on British Steel works also is meant to evokes Levi at work as a chemist). Sandro speaks with a Piedmontese accent, is generous, brave and seems to be made of iron. He took Primo Levi into the mountains, leading him consciously into challenging encounters with the four elements. Levi is certain it helped him later on to survive under the bitter circumstances in the camps. It didn’t help Sandro: Sandro Delmastro, was killed fighting in the resistance in 1944. Levi’s iron memory is devastating.